Premeditated violent crimes are often accompanied by clues intentionally left by the attacker as a message wrought with meaning. A broken mirror placed in the middle of the crime scene being one good example, Chopin's Piano Sonata No.2 in B-flat minor, Op.35, more commonly known as The Funeral March, set on repeat, endlessly cycling through the song over and over and over again, is yet another.
Chilly notes and a broken mirror. There is a pattern, but the message is not perfectly clear.
Crime scene investigators are left with an incomplete, indecipherable puzzle provided by a mad man with a flair for the dramatic.
Someone out there, narrowed down to one of two people, is mortally wounded or worse and the chase is on to find one or both missing persons in whatever state they happen to be in. Chances are that once one of them is located, the murderer will be caught, rendering the second presumed dead, ultimately leaving but one possible way to solve Case Study #3.
Today's Jazz Hands are tragically chilled.
Day three-hundred and forty-four complete.
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