Wednesday, February 13, 2013

365 Days of Jazz Hands - Day 44

WEDNESDAY, FEBRUARY 13th, 2013

Amazingness has occurred and you are about to read about it...

As I approach the red light at the upcoming intersection I can see him standing there in the median, slouched over, rummaging through an old bag.  I recognize the man immediately with his short, unkept white beard contrasting black skin and an old, worn out, red baseball cap pulled down tight.

Coming to a halt, I roll down my window and wave him over but I receive no response, as he is singularly focused on the contents of his downtrodden bag, possibly most of his personal belongings within.  I call out "POPS!" and his head snaps up.  I wave him over again, this time he obliges, dutifully.  

"How do you know my name?"  Pops asks me with a wide, genuine smile exposing a gold tooth.  I barely make out the words as he is quite difficult to understand.  

Based only on my limited observation, people of the street seem fairly numb to their humiliation, immune to their connection to humanity, and would just assume move on quickly after snatching whatever it is you are offering them.  

Pops could not care less about acquiring money from me today.  I told him that I recall the name from a tag that he had worn a while back and when I questioned his whereabouts for the past month, voicing concern for his well-being, he beamed brightly and began to answer with words I could not decipher.

To hear someone call him by name was worth much more than a bag of Combos, apparently.  I thought he wanted to give me a hug.  He did not, for the record.

I did not explain to him why he disappeared or why he suddenly re-emerged, nor did I mention that his fate can be altered by the words I write about him.  You and I understand how plausible that is, but to Pops, that would likely sound ridiculous.  I did not have the time to explain that there is no other logical explanation for these occurrences.  

Again due to our limited time, I fail to mention Jazz Hands as I had promised to.  Perhaps tomorrow I will address the hand jazzing and see if he wants to play along.  It should be enough that today Pops is slightly less immune to his humanity.  I can do Jazz Hands to that...in private, of course.

Day forty-four complete.




Tuesday, February 12, 2013

365 Days of Jazz Hands - Day 43

TUESDAY, FEBRUARY 12th, 2013

It seems we have some Italians or at least one enthusiastic Italian, interested in a quick restated purpose...So today's blogging is to welcome our new friend(s), and get them up to speed, along with anyone else that needs a quick refresh...also, please feel free to go back to the original post and start from the beginning for the thorough experience...otherwise, welcome aboard (CIAO!).

RESTATED PURPOSE:

I have aspirations of being a world renowned jazz dancer and am dedicating one year of my life to explore one small facet of the genre, Jazz Hands.  Only then will I feel comfortable enough to expand into more traditional jazz dancing techniques.

Either that or I held a "Pick Kyle's 2013 New Year's Resolution" contest, and the winning entry (by virtue of vote) was for me to deploy Jazz Hands every single day for the entire year, accompanied by regular updates on the progress of said resolution, which has turned into this here blog.

Whichever seems more viable.

If you need a more complete understanding of what Jazz Hands is exactly, please turn your attention to the most current, credible source for modern terminology, "The Urban Dictionary."

The Urban Dictionary has three, clearly defined variables for Jazz Hands, all of which seem quite plausible.

1. A cabaret-style move, popularized by the musical "Fosse".  Now used, usually ironically to express excitement, glee, razzle dazzle, etc.  

The move is performed by tilting the head slightly, shimmering the hands with fingers splayed either side of the face and crying "jazz hands!" with an enthusiastic smile.  Also *JAZZ HANDS!!!* used as an expressive punctuation on blogs and bulletin boards.

2. The act of waving one's hands in the air in an erratic manner in response to an emotional song or situation.  Similar to spirit fingers except that the entire hand and, occasionally the arms, are utilized.

3. When a persons hands shake uncontrollably from alcohol withdraw. 

Razzle Dazzle.  I like that.  Here's hoping you are dazzled with razzle and that you come back for more.  Today's actual hand jazzing was done ironically.  Day forty-three complete.

Monday, February 11, 2013

365 Days of Jazz Hands - Day 42

MONDAY, FEBRUARY 11th, 2013

Perhaps it was there before I posted the short story yesterday, but I had not noticed the new growth on the very top of the lime tree that resides in the back yard.  Today there are definitely signs of life where there were none prior.

On the other hand, no signs of Pops during the morning commute.  It is entirely possible that he finds himself in better spirits today and is on the road to recovery (no pun intended) and will make his appearance soon.  After all, the lime tree did not become lush with green over night.  These double negatives don't not take time.

Onto actual Jazz Hands matters:  Yesterday evening, when informed that there would be a wait at a local restaurant, I asked the hostess to announce our party of eight as "Jazz Hands" once seating became available.  The request garnered almost no reaction save for Wife's eye roll and when it came time to be seated, the electronic device we had in our possession buzzed and vibrated without an accompanying announcement by the wait staff.  The stunt was a disaster at almost every level, although the food was terrific.

Once home and tuned into a popular music awards show that goes out of its way to celebrate mediocrity, I take Family Dog out to escapade.  While the nominations for "Most Boring Song of The Year" are being announced, Family Dog deploys and I reward him with Jazz Hands accordingly.  He looks as proud as ever as we head back in to wrap up our weekend with a bit more commercialized punishment.  Day forty-two complete.

Sunday, February 10, 2013

The Lime Tree - A Non-Jazz Hands Bonus Post


The Lime Tree - by Kyle Gaca

Moist, black eyes never gaze to meet the skies and there are no contemplations of Heaven nor Hell.  There is only one step.  One careful step.  Then the one after that.  

Without the blink of hesitation and knowing nothing else, opportunity awaits.  Cool and wet with collecting dew like polish are feet frozen in time as first light paints her welcome with warmth.  

Beyond the hills, gravel is crushing under tires weighted by heavy steel, the low rattle and hum of an untuned truck and a farm dog's single yelp, acknowledged with a twitch from unthreatened ears.  Attentive but paying no serious mind.  The same gravel crushing under the same tires weighted by the same heavy steal from the same untuned truck and the same farm dog's single yelp as the day prior and the same as the one prior to that.  Monotony's favor, clear and predictable expectations.  

One step forward purging the world ahead time begins again, confident and hesitant somehow all at once.  The world perceived as unwavering risk.  Opportunity equal parts caution and assurance on exhibition with that one step forward.

The plan simple, the path direct.  So many before travel the same, driven the same evidenced by worn paths, with the cool, wet dew collecting there.  A deep breath of brisk air and a quick surveillance of what lies ahead.  Another cautious step forward.  

Again the truck, adding the slam of a door followed by the farm dog's predictable bark.  Far off yet occupying the same space.

The farm dog with his thick mane of filthy, tan fuzz is chained to a Maple that shades a porch attached to a modest home with a long gravel drive.  Upon first light's warm welcome, a truck plods it's worn path toward the modest home and the farm dog, gravel crushing under tires weighted by heavy steel with equal parts confidence and caution.  A slam of the door and a bark of the dog anticipating familiar hands upon his filthy, tan fuzz.  Safe and familiar are the hands that greet him.

In the distance, yet occupying the same space, a farm dog's familiar bark echoes.  A flick of the tail signals another step forward.  

Routine is not a plan but a series of moments rehearsed and orchestrated many times before carrying out infinitely on and on and on.  Every instant is a cog in the machine of existence.  The gems of variation unaccounted for, a monotonous system practiced and executed by shear will, not some extraordinary Plan.

A memorized verse
Practiced and rehearsed
A few more steps and a tree.  
A Pause.  A stretch.  A prison of chosen monotony.  

Chirps of the mourning birds perched high in the shadows, slowly waking.  Grasping for their own necessities, following the sun from dawn until dusk, their own worn, invisible paths.  Horizon lines blur, sunrises become sunsets become sunrises again.  All indistinguishable, one from the next.  There is no difference.  No way to differentiate the beginnings from the endings, the sky from the ground.  Repetition and pattern.

After the tree there is a hill with a path leading to the basic necessities of life.  Abundance for all of life's nourishment.  Beyond that even further a safe place to rest and spend a warming afternoon with ignorance and satisfaction.  Cautious and confident one foot then the other, lacking variation.  A pattern.   A dutiful soldier of existence.  The repetition of chained moments linked together like ticks on the clock.

Chained to a Maple, confined to his version of safety the farm dog barks again.

Prior to the old, worn path leading over the hill to the basic necessities of life, there is the pause, the stretch and the tree.

Tendrils of mist rise from a deep exhale.  Citrus fruit, Chanterelles, Redroot and a hint of coffee on the air, one deep breath takes it all in.  More tendrils of mist pour out of deflating lungs.

Just ahead the trail moves forward.  A long stretch.  More steps with many to follow, then stops, turns, a question mark looming in the suddenly impregnated air that surrounds.  Pawing the ground, a freshly fallen fruit from the tree that's passed by every day without hesitation is suddenly noticed.  A tree that is simply overlooked each and every day on the path leading over the hill.  A tree painted with a pattern of small, green fruit.  Inspecting the lime with a cold, wet nose, piecing a puzzle together, connecting dots, nuzzling it down a small decline.  Playfully following, pawing and nuzzling a quiet dance is underway.  Engaging in the thorny branches above, more ripe fruit fall to the ground as a steadier pace of exhaled mist fills the quiet, unoccupied space.  Surprise.  Excitement.  Something new.  Something different.  A break in the pattern.  A deep breath of fresh, chilly air.  

Exhale.

The farm dog barks feverishly as if engaged in the same uprising moment but still very far away.  Taking quick notice, the dance is over.  The moment lost in the haze of the ascending sun.  With more confidence than ever before, the path's pull is strong.

For a moment in time the distant farm dog is rendered silent.  For a fleeting moment the tethered chain of life's mechanism sits idle and time stands still, but like every deep breath, an exhale follows.  As quickly as the true glimpse of freedom is felt, the tendrils of it's mist escape to fill the air.  The machine's cadence restored.  

And on it goes.

365 Days of Jazz Hands - Day 41

SUNDAY, FEBRUARY 10th, 2013

First and foremost, a warm welcome to our latest country and continent to join in the fun...Indonesia is easily our most distant reader by a fair margin.  I'm sending an enthusiastic jazz handing your way.  

Now onto today's topic...

Continuing on our theme of unintended consequences, do you recall Pops?  If you need a refresher, he's the Combo eating elderly street fellow from day fourteen.  In the same episode, we discussed cycles and patterns, so it's fitting that Pops re-emerges.  I don't want to call him a beggar or a homeless man, or a bum.  All of those labels seem condescending, presumptuous and unnecessary.  So for now I will merely describe him as "the man that I see asking for money on the street, but seems to have disappeared since I wrote of him on day fourteen."   It's a long name but it's fitting.  Or I can just call him "Pops" which also seems appropriate, since that's what his name tag says.  Either way, twenty-seven days sans-Pops is troubling.

Now go back to day twenty-eight when I stated that "I killed a tree once by writing about it."  

See where I'm going with this?

My subject matter would be limited to things like spiders, sunburns and dingleberries if I knew that writing about them would result in their destruction.  So this episode's purpose is to create a double negative.  Sound crazy?  Indeed it is, but I make the rules here.  If I see Pops this week during my morning commute, I'll know that this experiment worked.  If I do happen to see him, I'm going to deliver Combos and educate the man in the subject of Jazz Hands and I will report the results on this blog in a future episode.  So here's to double negatives working and the laws of unintended consequences reversing themselves.  

As for the lime tree that looks like a ghost of its former self...I will publish the story that potentially caused its demise as a bonus blog post, in the off chance that the double negative does the trick.  

Word of caution, the story about the lime tree has absolutely nothing to do with Jazz Hands and was written long before this blog's inception.

Day forty-one complete.


365 Days of Jazz Hands - Day 40

SATURDAY, FEBRUARY 9th, 2013

When will I expand on the laws of unintended consequences?  I thought you'd never ask.

Cutting direct to the chase, my jazz handing at night while Family Dog is conducting his business seems to have created an unintended association.  An enthusiastic display with outstretched arms and waving hands causes an equal and opposite enthusiastic reaction, as if Jazz Hands is high praise for Family Dog's evening escapades.  I now wonder how long it will take a Jazz Hands deployment to actually cause the sudden urge to take care of business, like Pavlov's dinner bell with slightly different results.

Do you recall way back on day seventeen how Family Cat had begun timing her morning business with my bathroom mirror Jazz Hands deployments?

Kinda makes you think.

Day forty complete.



Friday, February 8, 2013

365 Days of Jazz Hands - Day 39

FRIDAY, FEBRUARY 8th, 2013

I was recently asked the question (by the voice in my head), if I'd rather associate with people that are satisfied, or people that are hungry?  I told him that it entirely depends on whether or not those people are cannibals.

That works literally and figuratively...

Onto a subject with Jazz Hands relevance for a change:

A Friday post seems as good as any to acknowledge and thank the few that have, on some level, paid a visit to my blog.  Or payed a visit to my blog, whichever version you prefer.

If I may, please accept my sincerest Jazz Hands solute if you have visited this blog intentionally or unintentionally.  Accept this Jazz Hands salute if you have read any portion of the blog and have come back for more, read it once never to return, or arrived by accident never to read a single line.  Accept this Jazz Hands salute if you visit my blog out of obligation and merely say you have read it even though you have only skimmed a line or two, due to my constant harassment and badgering. Accept this Jazz Hands salute if you have visited the blog, decided that it is way too long for your attention span to handle and moved on quickly to pictures of kittens cuddling with puppies accompanied by heartwarming messages, uploaded to Facebook by one of your high school friends that you haven't spoken to or seen in over twenty years, but somehow have a common fascination with puppy and kitten pictures accompanied by heartwarming messages posted on Facebook.

From the beginning to now, this post has been visited more than 1400 times, although about 1200 of those can be attributed to my proofreading visits, but 200 is still a good number.  Considering this is my obligation and nobody else has any requirement to participate, I am pleased that someone out there is visiting the blog and/or reading the content.

Those 1400 and counting visits have come from eight countries, spanning three continents.  So to all of you, I say thank you, gracias, obrigado, danke, hvala vam and merci (depending on where our Canadian reader calls home).


Today I enthusiastically jazz my hands to all of you...really...I did it just a few minutes ago.  You probably sensed something, but didn't realize what it was exactly.  That was my Jazz Hands salute.

Day thirty-nine complete.