Thursday, April 4, 2013

365 Days of Jazz Hands - Day 94

THURSDAY, APRIL 4th, 2013

Some might say there are two categories of Nine Lives players.  They will try to tell you that there is the winner and then there is everybody else.

Of course, I disagree.

There  certainly are winners and everybody else, I don't disagree with that entirely, but there are subcategories contained within each of those as well.  There are gracious winners that accept victory humbly.  There are sore losers that blame rotten circumstance for their demise.  

There are space cowboys, gangsters, pickers, grinners, lovers, sinners, jokers, smokers and midnight tokers.  There are sportos, motorheads, geeks, sluts, bloods, wasteoids, dweebs dickheads and righteous dudes.

There are finesse players, those that hit for power, and then there are the talented few that can eloquently finesse, deploy backspins, aim impeccably and then blindside you with ferocity in the form of a wicked spike to the face.  Perhaps they'll wind to exert power and when they see you wince, pull back and delicately dink the ball so that it brushes your shin ever so slightly before hitting the ground.  

There are many, many effective methods of play in Nine Lives...it takes all walks of life to play in a variety of ways to make the game dynamic and engaging.  You have to find your own way and deploy your own version in a style that you will feel good about.  

It's not unlike finding your own hand jazzing style.  You may never be an Al Jolson, no matter how much you attempt to perfect your Jazz Hands, therefor you must find your own niche.


Today's Jazz Hands combined a great film with an overplayed song.  Day ninety-four complete.

Wednesday, April 3, 2013

365 Days of Jazz Hands - Day 93

WEDNESDAY, APRIL 3rd, 2013

RULE #9:  A player can not make contact with the game ball more than once until they become eligible to do so again.

To clarify:  A player may not make purposeful contact with the game ball with successive hits.  If a player contacts the ball purposefully multiple times prior to another player making contact with the game ball (of any kind, intentional or not), that player will lose one life.

If the ball hits any part of a player's body, the contact may be considered unintentional or incidental rendering the player ball hit eligible.  If the player puts their hands up to block the face from a ferocious spike attempt and successfully prevents the game ball from making a direct impact onto their face, the block is considered to be an intentional hit, making the player ineligible to again make contact with the ball until it makes contact of any kind with another player, as previously stated.

The big distinction is purposeful versus unintentional game ball contact.  A real game example to illustrate:  A player may not kick the ball up to themselves and then spike the ball in sequence.

If there is a hit that is questionably intentional, game play can be halted and the play may be voted on amongst the remaining players not directly involved in the play.  If the vote is split, or if the game is being played by only two players in a one vs. one scenario, a rock, paper, scissors battle will settle the dispute.  Third party onlookers may also be asked to participate in the voting if they witnessed the questionable play.  This policy can be deployed in any questionable game play such as determining "gettable" versus "ungettable" balls, whether or not a player is guilty of cowering, or to question if an apology was uttered in the appropriate sarcastic manner.

Once any dispute is settled via vote and/or rock, paper, scissors, the decision is final...the guilty party deducts one life and the game ball is served up with the "Jazz Hands!!!" deploynouncement to commence play.

Today's Jazz Hands are hit eligible.  Day ninety-three complete.

Tuesday, April 2, 2013

365 Days of Jazz Hands - Day 92

TUESDAY, APRIL 2nd, 2013

Tis a new month, thus time for our monthly statistical data report.  The visitation total is up to just over 3,000 and since last official count we have added five new countries to our list of international readership.  Surprisingly enough, a couple of them came back for multiple visits.  

Go figure.

Please join me in a round of Jazz Hands to welcome our newbies.  Mexico becomes our third North American country (yes, Mexico is in North America).  Taiwan, Pakistan and China adds three Asian countries to our cultural mix (who knew China was allowed to use the internet?) and represent our largest continent on board the Jazz Hands trolly.  Last but certainly not least, we have been joined by the one country that spans not one, but two continents.  Why they didn't just declare Russia it's own continent, I'll never know (like Africa did some time ago).

Just to be abundantly clear, I have added Russia's flag to the European column of hand jazzing nations, although I could have just as easily thrown it over there with the Asians constituents.  If our Russian friend lives in the Asian portion of Russia, feel free to leave a comment below and I will be more than happy to correct the allocation.

Since Russia comprises approximately 40% of Europe's total landmass, with 78% of the Russian populace residing within European borders, it seems that the European continent is an appropriate association and will remain as such until otherwise notified by our Russian comrade.  Also noteworthy:  The Russian capitol of Moscow is located within the European continent in addition to Russian religion, cuisine and language all being heavily European in origin and influence.  All the more reason to assume our Russian reader is deploying a very European version of Jazz Hands.

Today's Jazz Hands proudly waved five new flags.  Day ninety-two complete.

Monday, April 1, 2013

365 Days of Jazz Hands - Day 91

MONDAY, APRIL1st, 2013

Today I will document seemingly unrelated thoughts and observations, attempt to tie them together, and ultimately to Jazz Hands, in vain.

Last night I saw an advertisement for a major fast food chain that used Jazz Hands prominently throughout the commercial.  At first I was amused and found it somewhat entertaining.  Then I felt a bit dismayed, seeing Jazz Hands utilized as a marketing gimmick.  Then I shifted back to pleased at the thought of jazz handing's rise in popularity, but then countered that with longing for the good old days when Jazz Hands was cultish and more of an insider's game, not necessarily having the watered down, mass appeal that sucks the life out of all things awesome.

Shifting gears back to "Trollyology."  If you recall day seventy-eight back on March 19th where we last left our brain in a vat with a moral dilemma to contemplate...

The bonus post presented a moral dilemma regarding a train, or trolly with a brain in a vat at the helm with a morbid decision to make.  Go left and kill people, with unintended consequences listed as a result, or go right and kill people with a different set of unintended consequences listed as a result.  The given scenario is ridiculous in hindsight.  It was a difficult enough task to contemplate the actual moral dilemma at hand, let alone having to draw out a comprehensive death grid dictating who to kill, who to save and which side of the tracks version of murder was more acceptable and thus, justified.  Let me rephrase the moral dilemma more simply, which is something I should have done in the first place.  Let us entertain the thought of a train, or trolly (hence, "Trollyology") on a collision course with a school bus.  You have three choices.  

1. Do nothing.

2. Pull a lever, switching the train's course where one man, standing in the train's path will be killed.

3. Push that same man's heavier set twin brother onto the tracks, stopping the train on impact with said heavier set twin brother.

You have to choose one.

Winston Churchill was faced with a similar dilemma during World War Two, which is at least in part the point in the trolly exercise and the origin of the philosophical moral dilemma regarding the trolly.  The Germans invented flying bombs that the English nicknamed "Doodlebugs" due to the buzzing noise they made.  Doodlebugs were sent into London in an attempt to destroy military installments vital to England's war cause.  The Doodlebugs mostly fell short of their intended targets, sparing the precious English war machinery, but instead found purchase in residential areas killing thousands of civilians.

Churchill had three choices.

1. Do nothing with hope that the Germans will not wise up and continue to miss their intended targets, which saves the English war efforts, yet sacrifices civilians in the process.

2. Disseminate reports communicating that the bombs were misguided, humiliating the Germans, with the likely result in adjustments and subsequent better aim, saving the civilians while compromising the military installations.

3. Disseminate misinformation detailing the success of the German's bombardment ensuring that the Germans would continue their errant doodlebugging.

Churchill ordered the third option, resulting in 6,000 civilian deaths, ultimately preserving the war effort to secure the lives of the tens of thousands of others that would otherwise perish if the Germans got their way.  Intentionally surrendering thousands of innocent lives, lives you are charged with protecting, could not have been an easy decision to say the least.  

So back to our trolly.  The one scenario I just do not see happening is to sit idle and let the train destroy a bus full of children.  Is there a difference between changing the course of the trolly with knowledge that it will result in an innocent man's death, sparing the lives of children, versus physically pushing a man onto the tracks?  Both are morally justified.  Both have the same result.  So does it matter what path you choose?

One of my favorite moments in college was during a lecture, freshman year.  The hall, half filled with eager minds, the other half filled with people like me.  An elderly woman, rotund and short, dropped her books in the center isle and upon bending over to pick up the spilled contents, her pants fall down revealing her large, granny panties to all.  The entire lecture hall breaks out in laughter.  The eager minds laugh.  The people like me laugh.  The professor laughs.  Philosophy 101 students need a good chuckle from time to time and if memory serves, Mrs. Rotund provided a fair amount of them throughout the course of a semester.  I do not recall if this occurred on Brain In A Vat Discussion Day or not, but the dense subject matter certainly requires comic relief, as does life in general.

Levity is needed or else you'll get swallowed up and pooped out of existence and if you know for a fact that in time you will be nothing but fertilizer, why not attempt to make choices you can live with and laugh as much as possible in the process.

Enter Jazz Hands.  The Royal Jazz Hands...the not so Royal Jazz Hands...Jazz Hands that make you contemplate...consider...reconsider...and also laugh.  Let Jazz Hands sell flame broiled hamburgers.  Let Jazz Hands "Bring It!"  Whatever you do, please don't take Jazz Hands seriously.  If you do, think of our dear old friend Mrs. Rotund and her granny panties...even a brain in a vat would find humor in that.

Probably not Winston Churchill though.  He had Doodlebugs to worry about, which is serious business.

Today's Jazz Hands could not decide.  Day ninety-one complete.


Sunday, March 31, 2013

365 Days of Jazz Hands - Day 90

SUNDAY, MARCH 31st, 2013

Spring is now official.  Not only does the last day of March find us eating colored eggs and chocolate bunnies, but also brings in the opening day of Major League Baseball and evenings spent on a boat.

The latter is particularly true if you live in Florida.  If you live in the northern states, spring is represented by evenings contemplating whether or not it's safe to venture out onto a frozen lake for a late season ice fishing adventure.

Nothing against floating around on a slab of ice, but I will not complain at all about a boat being required for waters sports.

This particular late March boat trip revealed a couple of new Jazz Hands variations.  The first variation is the "look no hands!" Jazz Hands while being pulled around on a tube behind a speeding boat.  The other variation is "this is too easy, you can do better than that!" Jazz Hands while being pulled around on a tube behind a speeding boat.

"Look no hands!" Jazz Hands looks like any other Jazz Hands, other than the fact that the deployer deploys while being pulled around on a tube behind a speeding boat, and is a genuine display of extreme enjoyment.  "This is too easy, you can do better than that!" Jazz Hands finds the deployer with hands facing inward while being pulled around on a tube behind a speeding boat, as if to say "BRING IT!"  This version exudes confidence, albeit a tad overtly so and taunts the boat driver.  Personally, I would advise against the "this is too easy, you can do better than that!" Jazz Hands variation, it does not bode well for the taunter.

Today's Jazz Hands look forward to a long, warm season of endless summer days.

Day ninety complete.

Saturday, March 30, 2013

365 Days of Jazz Hands - Day 89

SATURDAY, MARCH 30th, 2013

Deflecting rays of illumination...

In approximately 390 b.c. Plato wrote the Allegory of the Cave.  Or the Analogy of the Cave.  Or Plato's Cave.  Or the Parable of the Cave.  Whatever you want to call it, the idea is that there is this cave with men chained to a rock wall since they can remember.  The chained men face forward and look into complete darkness in the direction of another rock wall.  The only thing these men ever experience are shadows cast onto the opposing wall, created by candlelight.  This is their reality.

As the story goes one man is eventually freed and follows a distant light near the entrance of the cave and climbs his way to freedom.  Upon reaching daylight and freedom, he shits himself and runs back to the safe confines of his rock wall, chain and shadow puppets.  He then gets himself cleaned up and promptly deploys Jazz Hands to express complete, utter joy.  Of course we're speaking of shadow puppet jazz hands, also known as obscured reality jazz hands, also known as jazz hands in the name of false pretense.

I believe what Plato was trying to teach is that reality is what we make of it, that sometimes our perception of reality is confined and that education for education's sake is a worthy cause.  Also known as enlightenment.  Additionally, the underlying message is that what we seek is freedom, without actually wanting freedom.  What we really desire is safety at the expense of enlightenment.  This could definitely fall into the category of cowering (see Rule #8).

What makes us feel free is safety.  What really sets us free is something located at the outer reaches of our comfort zone.  In other words, that which we believe sets us free actually binds us.  To be shackled to a desire for freedom is like having a mental illness...one we all happen to share on some level.  Don't let shadow puppets convince you otherwise.

Today's Jazz Hands were done by candlelight.

Day eighty-nine complete.

365 Days of Jazz Hands - Day 88

FRIDAY, MARCH 29th, 2013

RULE #8:  Never cower.

If the game ball is spiked toward a player and that player ducks out of the way, resulting in the ball hitting the ground, the ball is deemed "gettable" and the fault falls squarely onto the cowerer.  The guilty player is to lose one life for this act of cowardice and shall be looked down upon in shame by the other players of the game.

Cowering is hand jazzing's polar opposite and where effort reigns supreme, there is no justification for deploying a senseless act of fear.

There are two forms of the cower.  The first category is borne from the fear of pain.  A particularly powerful spike of the beach ball may inflict a stinging sensation that can last for several moments of time.  The amount of time a beach ball travels from spike to the moment of impact is a fraction of a second and the cower is generally a knee jerk reaction.  One does not know if they are brave or a coward until the instant the brain recognizes that a spike is likely heading their direction.  This is considered the moment of truth.  When one comes to the conclusion that they play the game in fear, the psychological pain is much more damaging than the few moments of discomfort that physical impact causes.

The second category is borne from the fear of losing a life, where any limb or even the entire body intentionally withdraws in the opposite direction of the beach ball's trajectory, spiked or not, as to prohibit contact.  This method of cowering is a calculated and deliberate character flaw and will likely draw the ire of the competitors, resulting in an abundance of spikes aimed at the face.  Not only is one life removed from the guilty cowerer's total allotment, but the lack of good judgment will cast an unshakable, dark shadow.

Today's Jazz Hands did not deflect or compromise rays of illumination.  

Day eighty-eight complete.